Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • Creating
    • DirectingAs a director, I use a combination of the Viewpoints u0026amp; Composition and the tools and philosophies of Epic Theater to represent multiple points of view within one theatrical event, disrupt the false binary of gender roles, and explode the social constructs of identity. But more than anything, I use these techniques to organize human experience within a community: to tell stories. ♦ A song and dance Twelfth Night, Or What You Will at the University of California at Riverside combined the worlds of rave, Las Vegas, and Lady Gaga to illuminate the Illyrian culture of excess central to this love story. I also created a thirty-five minute version for a tour to underserved communities as part of the Gluck Fellows Arts Education Outreach Program. ♦ In December of 2010 I directed a semi-staged reading of my play American Medea at the Ensemble Studio Theater Los Angeles. American Medea combines the real-life stories of Andrea Yates, Darlie Routier, Deborah Green, and Susan Smith with the structure and characters of Euripides’ play to elucidate the cultural construction that is modern motherhood. ♦ Ruins, a new half musical, half domestic drama, premiered at the California Institute of the Arts in 2010. Unfolding in…
    • New Play DevelopmentNew play development is a crucible in which ideas are lit up by the fire of necessity. Ideas that begin as sounds and images in a playwright’s mind become black words on a white page become sounds and images in the space and time of a public forum. An audience consumes the performance, interprets it, and turns it back into ideas. Artists working to create quickly and collaboratively under the pressure of this compressed time invest in ideas that seem to have been plucked out of the ether, but in reality have been released by the heat of that necessary fire. ♦ In December of 2010 I directed a semi-staged reading of my play American Medea at the Ensemble Studio Theater Los Angeles’s Sunday Best, a monthly “artistic gymnasium” for actors, directors, and writers focusing on plays-in-progress. American Medea creates a post-modern collage of the real-life stories of Andrea Yates, Darlie Routier, Deborah Green, and Susan Smith and the structure and characters of Euripides’ play to elucidate the cultural construction that is modern motherhood. ♦ Ruins premiered at the California Institute of the Arts in 2010. Unfolding in both the past (through Rogers and Hammerstein-style song and dance) and the…
    • Plays/AdaptationsWRITING/ADAPTATIONS Warriors Don’t Cry, an adaptation of Melba Patillo Beals’ memoir of the integration of Little Rock High School (in process) American Medea, using the structure and characters of Euripides’ play with text from the letters, trials, and news coverage of Susan Smith, Andrea Yates, Darlie Routier, and Deborah Green; read at Ensemble Studio Theater LA’s Sunday Best, December 2010 Speak, an adaptation of the novel by Laurie Halse Anderson The Time of Your Life (original musical adaptation), based on the original play by William Saroyan Anatomy of Isabelle: A Reconstructed Production, a documentary production chronicling unfinished work on a production of New Anatomies (Timberlake Wertenbaker’s play about Isabelle Eberhardt, an early 20th-Century European traveler who converted to Islam and lived among the Sufi Mystics of North Africa), which was interrupted by the tragedy of 9/11 In the Penal Colony, an adaptation of Franz Kafka’s short story Monsieur X: Here Called Pierre Rabier, an adaptation of the Marguerite Duras memoir, War Hundreds of Collisions, an original piece based on the theories of John Cage Doors, an autobiographical piece about the director based on the theories of Thadeusz Kantor
  • Teaching
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production Photos
    • The Wolves
    • Hamlet: Fall of theu0026nbsp;Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and theu0026nbsp;Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn tou0026nbsp;Wrath
    • Twelfth Night, or What Youu0026nbsp;Will

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    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin

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  • Blog
  • February 4, 2018

    Does Your Theatre Department Have a Patriarchy Problem?

    Originally published by HowlRound on December 17, 2017. A little over a year ago, America elected a president who bragged on tape about committing sexual assault. What a difference a year makes. Today, charges being made against men in entertainment and politics for abusing their colleagues, with a few prominent exceptions, are believed and action is…

  • February 4, 2018

    Addressing Environmental Topics in Theatre Using Greenturgy

    Diseased nature oftentimes breaks forth In strange eruptions; oft the teeming earth Is with a kind of colic pinched and vexed By the imprisoning of unruly wind Within her womb, which, for enlargement striving, Shakes the old beldam earth and topples down Steeples and moss-grown towers.—Henry IV Part 1 III.i.25-31 Originally published by HowlRound on…

  • February 4, 2018

    Ethnodrama and Her Opponent: The Drama in the Data

    Originally published on HowlRound on May 26, 2017 Johnny Saldaña, author and Professor Emeritus of Theatre in the Herberger Institute of Design and the Arts’ School of Film, Dance, and Theatre at Arizona State University (ASU), began his plenary speech on the second day of the NYU Steinhardt Program in Educational Theatre’s Forum on Ethnodrama by asking…

  • March 23, 2017

    Gender-Flipped Debate Shows That Sexism Influenced the Election

    In the aftermath of the presidential election, economist and political science professor Maria Guadalupe of INSEAD wondered, like so many people, whether Clinton would have lost if she were man and whether Trump could have won had he been a woman. Hypothesizing that in a gender-flipped race, Clinton would have come out the winner, she…

  • March 13, 2017

    Truthful Intelligence: A Play about Power and Politics

    Originally published by HowlRound on February 24, 2017. Exactly eight days after Donald Trump was elected president, Oxford Dictionaries selected “post-truth”—defined as “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief”—as 2016’s international word of the year, citing a 2000 percent…

  • March 12, 2017

    PINK FLAG: WHAT MESSAGE DO “PUSSY HATS” REALLY SEND?

    Originally published by Bitch Media on January 17, 2017 a   The fast-approaching Women’s March on Washington is shaping up to be a massive event, with 130 organizational partners, from the Arab American Association of New York to the Feminist Majority Foundation to V-Day, as well as more than 150,000 individuals signed up on Facebook…

  • March 11, 2017

    Roe and the American Revolutions Cycle at OSF: Dramatic, Present, and Human

    Originally published on HowlRound on September 10, 2016 The original idea behind Oregon Shakespeare Festival’s American Revolutions: The United States History Cycle was to commission a new play for every American president. But when Artistic Director Bill Rauch brought in his longtime colleague from Cornerstone Theatre Company, Alison Carey, to direct the program, she steered…

  • March 10, 2017

    Feminist Theatre: What Does it Do and How Does it Do it?

    Originally published on HowlRound on September 14, 2016 It’s a fascinating time to be a feminist in the theatre. Thanks to The Kilroys, The Count, and women like Sumru Erkut and Ineke Ceder, we’ve made incredible progress in raising awareness of the lack of equity for women in our field. Actual change has been slower…

  • October 29, 2016

    A Feminist Guide to Horror Movies, Part 10: Torture Porn TV

    WARNING: This review spoils everything. When what film critic David Edelstein called “torture porn” became a trend in 2004 and 2005, its relationship to the growing awareness that the US had become a country that tortures was clear. On screen representations of people being tortured by evil but human monsters served as a means of…

  • September 2, 2016

    Further Thoughts on Creating a Productive Class-Rehearsal Room

    By virtue of the fact that, at many colleges, students can earn credit by being in theater productions, academia has cultivated a strange, liminal space that is both a classroom and a rehearsal room. I’ve been hired a number of times to direct students in a production, teaching them as I go what is expected of…

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