Category: Review
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Dammit Mamet
Warning: This post contains language which may be considered profane, sexist, ironic, feminist and/or totally quotidian. Oh Mamet. Mamet Mamet Mamet Mamet Mamet. Fuuuuucking Mamet.”Who knows not where a wasp does wear his sting. In his tail? In his tongue.” Ask almost any theater practitioner what they like about David Mamet and they’ll tell you:…
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Feminist Face-Off: Beautiful Creatures vs. Twilight
It’s hard not to make the comparison: two supernatural teen romances, both adapted from Young Adult novels, both involving a Romeo and Juliet-like attraction between a human and a superhuman. For feminist spectators, the popularity of such genre films warrants an investigation of their depiction of gender roles. So how do the two films stack…
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Guillermo del Toro’s Mythical Mamas
Cross posted at Ms. For horror fans, January is both a blessing and a curse. Christened “Hollywood’s dumping ground,” January is where movies go to die. With everyone’s attention focused on awards season, or so the thinking goes, studios can afford to release films from which they do not expect much profit, many of which…
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“The Mindy Project” – Comedy and Contradiction
Cross posted at Ms. Watch it while you can: Mindy Kaling’s The Mindy Project, which premiered last week to mixed reviews, may or may not have a long life. Most of Kaling’s hardcore fans watched it online before it was on TV, so it probably has more devoted viewers than the disappointing ratings it received…
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Coming to Sandra, or How I Learned to Stop Worrying and Love Sandra Bernhard
Cross posted at Ms. I have never really understood Sandra Bernhard. It’s not that I haven’t tried. After admiring her fantastic turn as ballsy sexual harassment lawyer Caroline Poop on Ally McBeal, my absolutely favorite show at the time (1997) about my absolutely favorite “dead feminist,” I told a friend, “I’ve never really gotten the…
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Helen Hunt Runs the Show in Our Town
Cross posted at Ms. The moment she enters, walking quickly, in her masculine work boots and jeans, you know that she is a woman in charge. That’s what a real stage manager is, after all, but in most productions of Thornton Wilder’s Pulitzer-Prize winning classic, Our Town, the Stage Manager is an old white man,…
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The Personal is Political, and it Always Has Been
Cross Posted at Ms. What happens when you take the Trojan women out of The Trojan Women? That’s what playwright Jocelyn Clarke has done in his new play Trojan Women (after Euripides), adapted from the Greek playwright Euripides’ 2,400-year-old original. East Coast-based experimental theater group SITI Company is currently performing the Clarke play, directed by…