Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • Teaching
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production Photos
    • Sense & Sensibility
    • What Happened While Hero Was Dead
    • Sunrise Coven
    • The Wolves
    • The Story and the Teller
    • Hamlet: Fall of the Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and the Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn to Wrath
    • Twelfth Night, or What You Will

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    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin

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  • Writing
  • November 21, 2012

    Trains, Pullman Porters and a Woman’s Blues

    Cross posted at Ms. What do you get when you combine passionate individuals determined to survive with multi-generational family drama and two key moments in African American history? A pretty great new play, that’s what. Opening November 23 at Arena Stage in Washington, DC, Pullman Porter Blues, by Cheryl L. West (Jar the Floor, Before…

  • November 18, 2012

    Cheryl L. West, Lisa Peterson, E. Faye Butler, and Christine Sumption on Pullman Porter Blues

    A conversation about the new play Pullman Porter Blues with playwright Cheryl L. West, director Lisa Peterson, actor E. Faye Butler, and dramaturg Christine Sumption. Read the full article at Ms. The Ms. Magazine Blog: What would you say Pullman Porter Blues is about? West: The entire play really is about how do you survive:…

  • October 31, 2012

    A Feminist Guide to Horror Movies Part Three: Worlds Without Patriarchy

    Cross posted at Ms. This is the third post in a three-part series on watching horror movies as a feminist spectator. Having covered films which reinforce the necessity of the patriarchy and films which question its value while still punishing challenges to patriarchal norms, let’s look at two movies in which the patriarchy is almost…

  • October 26, 2012

    A Feminist Guide to Watching Horror Movies, Part Two: It’s Not Just About Vampires

    This piece is Part Two in a three-part series. See here for part one. Since Edward Cullen first graced the pages of a young adult novel in 2005, vampires have been the sexy bad guys du jour. But it’s not just the lingering fear that sex might lead to death that makes these nightmarish manifestations…

  • October 18, 2012

    Lynn Nottage Brings 80 Years of Women, Race and Hollywood to the Stage

    Cross posted at Ms. Looking for an evening of entertainment that’s humorous, thought provoking, and possibly paradigm changing? The West Coast premiere of African American Pulitzer Prize-winner Lynn Nottage‘s new play By the Way, Meet Vera Stark is your ticket. But it’s not your typical evening of theater. Directed by Jo Bonney and featuring Sanaa…

  • October 18, 2012

    The Women of By the Way, Meet Vera Stark Talk Hollywood, Race and Gender

    The women behind Lynn Nottage’s new play By the Way, Meet Vera Stark (see here for more) talk about the issues raised in the play and it’s relationship to their lives: How have race and gender functioned for you in your careers? How do you see them guiding casting in Hollywood today? Kimberly Hébert Gregory…

  • October 17, 2012

    doing feminism in the rehearsal room and the classroom

    How lucky am I? As a feminist theater director, I seek out plays written by women about women. They are, statistically speaking, more likely to be feminist and on the whole they provide more opportunities for women actors. But one of the benefits of having an established reputation for doing a certain kind of theater…

  • October 6, 2012

    A Feminist Guide to Horror Movies, Part One: Daddy Knows Best

    Cross posted at Ms. Monsters in movies are us, always us, one way or the other. … John Carpenter My love of horror movies is a product of both nature and of nurture. My mother loves them. My older brother says I ended up in theaters as a child watching movies that were definitely not…

  • October 2, 2012

    “The Mindy Project” – Comedy and Contradiction

    Cross posted at Ms. Watch it while you can: Mindy Kaling’s The Mindy Project, which premiered last week to mixed reviews, may or may not have a long life. Most of Kaling’s hardcore fans watched it online before it was on TV, so it probably has more devoted viewers than the disappointing ratings it received…

  • August 14, 2012

    pedagogy of the non-oppressed

    Since I rediscovered and posted one of my favorite bell hooks quotes the other day, I have been thinking about whether her pedagogy or any of those based on Paulo Freire‘s Pedagogy of the Oppressed are actually relevant to teaching today’s American college students. I asked this question once before, when at Marlboro College I…

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