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The Ms. Q&A: Why Holland Taylor Wanted to Act Like Ann Richards
Originally published by Ms. Magazine on September 16, 2019. I’ve always looked forward to being old enough to play Ann Richards in a one-woman show—so imagine what happened when I saw that Holland Taylor’s Ann was on Broadway HD and running at Arena Stage, with Jayne Atkinson in the starring role. I was eager to talk to…
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#MeToo and the Method
Originally published by HowlRound on June 13, 2019. #MeToo has raised many questions about what kinds of intimacy are created in rehearsal rooms and classrooms, and to what end. As I’ve listened to the stories of survivors, I’ve been struck by the fact that the abusers in these cases, mostly men, weren’t doing anything that…
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Storytelling for Social Change: Inside the #HealMeToo Festival
Originally published by Ms. Magazine on April 15, 2019. Hope Singsen had done very little producing before she began putting together The #HealMeToo Festival, which just wrapped in New York City. She started with a plan to find a space to produce Skin, her solo show about the road and obstacles to healing and reclaiming intimacy after…
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#MeToo Power, Complicity, and Collective Responsibility
Originally published on HowlRound on April 11, 2018. My #metoo theatre story is from high school. Our theatre department consisted of five women and whatever hapless guys we could convince to come play a part so that we weren’t limited to just doing Steel Magnolias over and over. The women referred to our teacher as the Dirty…
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Manahatta’s Gender Flip: Equity in Action
Originally published by HowlRound on April 2, 2018. As an advocate for creating equity in the American theatre through consciously changing whom we choose to represent on stage, I am often told, “but that would interfere with the creative process.” The playwright’s vision, some argue, would be compromised by any effort to pursue casting quotas.…
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A Feminist Retelling of Sovereignty
Originally published by Ms. Magazine Blog on January 10, 2018 As a student at Tulane Law School, activist, writer and lawyer Mary Kathryn Nagle once persuaded her Critical Race Theory professor to let her write a play as her final paper that was based on Worcester v. Georgia, an 1832 case in which the Supreme Court ruled that tribal…
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Does Your Theatre Department Have a Patriarchy Problem?
Originally published by HowlRound on December 17, 2017. A little over a year ago, America elected a president who bragged on tape about committing sexual assault. What a difference a year makes. Today, charges being made against men in entertainment and politics for abusing their colleagues, with a few prominent exceptions, are believed and action is…
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Addressing Environmental Topics in Theatre Using Greenturgy
Diseased nature oftentimes breaks forth In strange eruptions; oft the teeming earth Is with a kind of colic pinched and vexed By the imprisoning of unruly wind Within her womb, which, for enlargement striving, Shakes the old beldam earth and topples down Steeples and moss-grown towers.—Henry IV Part 1 III.i.25-31 Originally published by HowlRound on…
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Ethnodrama and Her Opponent: The Drama in the Data
Originally published on HowlRound on May 26, 2017 Johnny Saldaña, author and Professor Emeritus of Theatre in the Herberger Institute of Design and the Arts’ School of Film, Dance, and Theatre at Arizona State University (ASU), began his plenary speech on the second day of the NYU Steinhardt Program in Educational Theatre’s Forum on Ethnodrama by asking…
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Gender-Flipped Debate Shows That Sexism Influenced the Election
In the aftermath of the presidential election, economist and political science professor Maria Guadalupe of INSEAD wondered, like so many people, whether Clinton would have lost if she were man and whether Trump could have won had he been a woman. Hypothesizing that in a gender-flipped race, Clinton would have come out the winner, she…
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Holly L. Derr 