Originally published by Ms. in the Biz

When Beyoncé’s latest album dropped, feminists went nuts. This is not the first time they’ve gone nuts over Beyoncé: When Ms. Magazine put her on its cover earlier this year, its readers erupted in outrage that a woman who “writhes around,” scantily clad “for the benefit of men” could be considered a feminist. Millions of other women came to her defense, arguing that feminism is about allowing women to be whoever they want to be. The editors of Ms. stood by their choice, but the disagreement hasn’t faded, and the new album has only added fuel to the fire. The combination of lyrics sampled from a Ted Talk given by Nigerian author Chimamanda Ngozi Adichie –

We teach girls to shrink themselves
To make themselves smaller
We say to girls
‘You can have ambition
But not too much
You should aim to be successful
But not too successful
Otherwise you will threaten the man.’

– and those contributed by Beyoncé’s husband referring to himself as Ike Turner, casting her as Tina, and referencing a well-known episode of domestic abuse between them, debate once again flared as to the validity of Beyoncé’s claim to feminism.

Such controversies may not do much to further the cause of feminism, but they sure do generate page views. Not surprisingly, therefore, in the last few years, Hollywood reporters have taken every opportunity to ask stars, “Do you consider yourself a feminist?” While women like Taylor Swift, Katy Perry, and even Susan Sarandon have eschewed the term, others have boldly taken up the mantle and declared their commitment to changing the status quo for women in Hollywood.

In an interview with the Guardian, Ellen Page spoke freely about her support for reproductive rights and LGBTQ rights and her appreciation for feminism:

I don’t know why people are so reluctant to say they’re feminists. Maybe some women just don’t care. But how could it be any more obvious that we still live in a patriarchal world when feminism is a bad word? Feminism always gets associated with being a radical movement – good. It should be. A lot of what the radical feminists [in the 1970s] were saying, I don’t disagree with it.

Regarding projects she is writing and directing, she shared, “Of course, if you just write a script in which the woman has control over her destiny and love isn’t the main thing in the film, that’s seen as super feminist. [But] it’s hard to get stuff made, especially if it’s about women. Everything’s about international bankability.”

Geena Davis has thrown the weight of her name, her resume, and her money behind the Geena Davis Institute on Gender in Media, a research-based organization working to “engage, educate, and influence the need for gender balance, reducing stereotyping and creating a wide variety of female portrayals for children’s entertainment.” The Institute found that the ratio of male to female roles in family films – three to one – has not changed since 1946. In a recent guest article in The Hollywood Reporter, she offered some great advice on solving the problem:

Step 1: Go through the projects you’re already working on and change a bunch of the characters’ first names to women’s names. With one stroke you’ve created some colorful unstereotypical female characters that might turn out to be even more interesting now that they’ve had a gender switch. What if the plumber or pilot or construction foreman is a woman? What if the taxi driver or the scheming politician is a woman? What if both police officers that arrive on the scene are women — and it’s not a big deal?

Step 2: When describing a crowd scene, write in the script, “A crowd gathers, which is half female.” That may seem weird, but I promise you, somehow or other on the set that day the crowd will turn out to be 17 percent female otherwise. Maybe first ADs think women don’t gather, I don’t know.

Jada Pinkett-Smith, who questioned the feminist policing of Beyoncé by asking “Whose body is this anyway?” on Facebook, also used the social network to defend her daughter, Willow, when she became subject to vitriolic criticism over a haircut: “This is a world where women, girls are constantly reminded that they don’t belong to themselves; that their bodies are not their own, nor their power or self determination. I made a promise to endow my little girl with the power to always know that her body, spirit and her mind are her domain.”

Pinkett-Smith further defined her brand of feminism with a Facebook post on how sexism harms men as well as women: “There is a deep sadness when I witness a man that can’t recognize the emptiness he feels when he objectifies himself as a bank and truly believes he can buy love with things and status. It is painful to witness the betrayal when a woman takes him up on that offer.” She has also become a spokesperson for the anti-human-trafficking movement through her organization “Don’t Sell Bodies.”

The list goes on and on. Jennifer Lawrence has used her press junket for The Hunger Games: Catching Fire to advocate against women calling each other fat and for more reasonable representations of women’s bodies on screen. Evan Rachel Wood loudly protested the MPAA excision of a cunnilingus scene from her film Charlie Countryman. Natalie Portman called representations of women who are vulnerable just as feminist as those of women kicking ass. Amy Poehler told a reporter her feminism is “just who I am, in the same way that I’m a woman, or I’m 5’2″ or whatever.”

The controversy over Beyonce’s feminism shows no sign of fading, but though the singer was “terrified” before the album’s release, she says now she feels liberated, and the dispute certainly hasn’t hurt album sales. If these women aren’t shying away from calling themselves feminist – and haven’t suffered any repercussions to their careers for it – why should anybody else?

So when reporters ask you, “Do you consider yourself a feminist?”, what will your answer be?