Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • TeachingTeaching Philosophy My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production PhotosClick here to view a slideshow of Twelfth Night, or What You Will Click here to view a slideshow of Ruins Click here to view a slideshow of Golden Girls
    • 12N, Or What You Will
    • Sense & Sensibility
    • What Happened While Hero Was Dead
    • Sunrise Coven
    • The Wolves
    • The Story and the Teller
    • Hamlet: Fall of the Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and the Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn to Wrath
    • Twelfth Night, or What You Will[slideshow]
    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin [slideshow]
  • Writing
  • April 4, 2013

    The Little-Told Story of Elizabeth Keckley and Mary Todd Lincoln

    Cross posted at Ms. As the DVD of Spielberg’s latest epic, Lincoln, hit shelves last week, the Arena Stage in Washington, D.C. was telling a different Lincoln story: that of Mary Todd Lincoln and her dressmaker, former slave Elizabeth Keckley. Keckley, author of Behind the Scenes, or, Thirty years a Slave, and Four Years in…

  • April 1, 2013

    Race on Stage and in the Rehearsal Room: Tazewell Thompson’s Mary T. and Lizzy K.

    What made you want to write a play about Elizabeth Keckly and Mary Todd Lincoln? Thompson: I was actually commissioned to write play in 2001 and the only stipulation was that it be set in Washington. When Molly Smith, artistic director of Arena, said “Washington” I immediately thought political and I thought Lincoln. The idea…

  • March 25, 2013

    Feminism, the Internet, and the Imagination

    To think it thinkable shortcuts no work and shields one from no responsibility. Quite the contrary, it may be a necessary prerequisite to assuming responsibility, and it invites the honorable work of radical imagination. — “On Being White,” by Marilyn Frye This paper was originally presented as part of WAM! LA’s 2013 Conference. 30 years…

  • February 27, 2013

    Dammit Mamet

    Warning: This post contains language which may be considered profane, sexist, ironic, feminist and/or totally quotidian. Oh Mamet. Mamet Mamet Mamet Mamet Mamet. Fuuuuucking Mamet.”Who knows not where a wasp does wear his sting. In his tail? In his tongue.” Ask almost any theater practitioner what they like about David Mamet and they’ll tell you:…

  • February 18, 2013

    Feminist Face-Off: Beautiful Creatures vs. Twilight

    It’s hard not to make the comparison: two supernatural teen romances, both adapted from Young Adult novels, both involving a Romeo and Juliet-like attraction between a human and a superhuman. For feminist spectators, the popularity of such genre films warrants an investigation of their depiction of gender roles. So how do the two films stack…

  • January 31, 2013

    Internet Dating: A Play, Part Four

    Part Four (see here and scroll down for Parts One – Three) Lights up on a bar. Woman has revealed the contents of her baggage, the suitcases, travel bags, makeup kits, gym bags, hat boxes, and a trunk on wheels. They were all full of books. Except the hat box. The hat box contained a…

  • January 26, 2013

    Internet Dating: A Play, Part Three

    Part Three Lights up on a bar. A Woman enters carrying suitcases, travel bags, makeup kits, gym bags, and hat boxes, and pulling a trunk on wheels. She situates herself and her baggage at the bar. Bartender appears. Bartender: What can I get for you? Woman: New screen name. Bartender: No more TK421? Woman: Nope.…

  • January 22, 2013

    Guillermo del Toro’s Mythical Mamas

    Cross posted at Ms. For horror fans, January is both a blessing and a curse. Christened “Hollywood’s dumping ground,” January is where movies go to die. With everyone’s attention focused on awards season, or so the thinking goes, studios can afford to release films from which they do not expect much profit, many of which…

  • January 18, 2013

    this whole idea of “internet plays”

    So this whole idea of “internet plays” is evolving in ways that bear explanation. The posts I have written in dramatic rather than narrative form, such as “Internet Dating: A Play,” and older posts like “A Woman and Her Doctor,” are intended to serve the same function as a “creative non-fiction” blog post. My hope…

  • January 10, 2013

    Internet Dating: A Play, Part Two

    Part Two A Woman leans against a bar, drink in hand (gin martini, dirty, extra olives). Other Women and Men mill about, flirting. Man wearing fedora approaches. Man: Hi there … (peering at nametag) … TK421. Want to get a drink sometime? Woman: (Toasting.) Well, I’ve got a drink. Thanks. Man: WHY DON’T YOU JUST…

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