Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • TeachingTeaching Philosophy My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production PhotosClick here to view a slideshow of Twelfth Night, or What You Will Click here to view a slideshow of Ruins Click here to view a slideshow of Golden Girls
    • 12N, Or What You Will
    • Sense & Sensibility
    • What Happened While Hero Was Dead
    • Sunrise Coven
    • The Wolves
    • The Story and the Teller
    • Hamlet: Fall of the Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and the Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn to Wrath
    • Twelfth Night, or What You Will[slideshow]
    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin [slideshow]
  • Writing
  • November 3, 2013

    Overcoming Trauma of the Home: Women Gaining Strength in Light of Abuse

    Originally posted at Women and Hollywood Much has been made by media critics of the propensity of horror movies to fetishize the murder of women – to make them victims, suffering at the hands of brutal forces for their sexual sins. The slasher films of the ’70s and ’80s as well as their ’90s sequels…

  • November 2, 2013

    Dispatches from LALA Land: California Women Got it On Lock

    Originally posted at HowlRound In just one September weekend, Los Angeles theater patrons had at least three totally different productions of Shakespeare plays from which to choose. The Los Angeles Women’s Shakespeare Company‘s all-female Hamlet was running at The Odyssey Theatre; a three-person adaptation of Richard II opened at The Theatre @ Boston Court; and…

  • October 21, 2013

    Attacking Rape Culture with Gallows Humor

    Originally published by Ms. TRIGGER WARNING: Discussion of rape and rape culture … When Jessie Kahnweiler started talking about making a comedic short film called Meet My Rapist about her personal experience with rape, everyone from friends and family to Hollywood insiders to feminists wary of offending victims urged her to rethink the idea. A P.R.…

  • October 18, 2013

    Maria Kang Doesn’t Hate You. What’s Your Excuse For Hating Her?

    The femisphere got busy this week putting yet another confident woman in her place: Humiliating her, belitting her, accusing her of being a bad mother–you name it, she’s guilty of it. You’d think this woman had the power and position of a pop star or political leader. You’d think that she’s using her power to…

  • October 17, 2013

    A Feminist Guide to Horror Movies, Part Four: New Beginnings

    Cross Posted at Ms. When the film industry finds an idea that works, they tend to use it again and again. And again. And again and again. In the realm of horror, once a franchise has spawned seven or so sequels, filmmakers continue to capitalize on name recognition by simply going back to the beginning…

  • September 27, 2013

    The Pervading Influence of Uncle Tom’s Cabin in Pop Culture

    Originally published by The Atlantic Miley Cyrus probably hasn’t studied much theater history. She was most likely completely unaware of the legacy of minstrelsy that influenced her performance at MTV’s Video Music Awards. She has nevertheless been heavily criticized for appropriating black music and dance while demeaning her black backup dancers. A few people have…

  • September 16, 2013

    All-Woman Shakespeare: A Dying Tradition?

    Originally posted at Ms. Sarah Siddons did it. Charlotte Cushman did it with pants on. Sarah Bernhardt did it in prose. Eva Le Gallienne did it with Uta Hagen. As long as it’s been legal for women to appear on stage, they’ve been playing Hamlet. Next week the Los Angeles Women’s Shakespeare Company will become…

  • September 10, 2013

    In a World Where Everyone Has Vocal Training

    Originally posted at HowlRound. Actor Lake Bell has been making the press rounds promoting her new indie movie, In a World …, about a female voice over actor whose gender (and father) have kept her from achieving the same level of success as her male peers. Bell plays Carol, a goodhearted vocal coach that finally…

  • September 6, 2013

    Gender Flipping in Hollywood

    Originally posted at Ms. It’s no secret that this summer’s movies suck for women. It’s been mentioned on Vulture. NPR did a story about it. The New York Times covered it. Even Fox News ran a piece about it. Yet Jodie Foster has a leading role in the new action movie Elysium. How’d she score…

  • August 29, 2013

    Dispatches from LALA Land: The Evolution of Asian American Theater

    Los Angeles is a very naturally post-modern city. There’s no center. There’s disparate elements jutting up against each other. It’s just so jagged and fragmented–even the start stop in the traffic. But I feel like it’s going to be the 21st-century American city because the internet makes it less important how the physical organization of…

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