Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • TeachingTeaching Philosophy My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production PhotosClick here to view a slideshow of Twelfth Night, or What You Will Click here to view a slideshow of Ruins Click here to view a slideshow of Golden Girls
    • 12N, Or What You Will
    • Sense & Sensibility
    • What Happened While Hero Was Dead
    • Sunrise Coven
    • The Wolves
    • The Story and the Teller
    • Hamlet: Fall of the Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and the Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn to Wrath
    • Twelfth Night, or What You Will[slideshow]
    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin [slideshow]
  • Writing
  • August 26, 2013

    Dispatches from LALA Land: On the Fringes of Hollywood

    Originally posted at HowlRound. This year’s Hollywood Fringe Festival–only the fourth in it’s history–featured 212 separate productions in 50 different spaces for a total of more than 1,000 performances. They took in $258,000, all of which went directly back to the individual productions. For a city not known for its theater, that’s no small beans.…

  • August 7, 2013

    Comic Con 2013: The Women’s Geekiverse

    Originally posted at Ms. I grew up in a time and place where it was all well and good for me to be obsessed with The Chronicles of Narnia, but I was not encouraged to read a comic book. I loved watching Batman (yes, the campy one), Superman (in black and white), The Electric Company…

  • August 6, 2013

    The Women of Comic Con: How the Internet Killed the Studio Star

    During the lead up to this year’s Comic Con International, a Networked Insights analysis of social media conversation showed that 54% of people talking about the conference were women. So when I arrived on Thursday morning I wasn’t surprised to see that women were everywhere as fans, experts, press, and industry. At panel discussions, in…

  • August 5, 2013

    Digging into Gender and Comics at San Diego Comic Con

    The stars of Grace Randolph’s superhero comic Supurbia, on its first issue cover.  Originally posted at BitchMedia. I came to Comic-Con International this weekend with an eye on gender—how would female fans and comics creators be represented in the convention that draws 150,000 proud nerds to San Diego? Day one alone of the epic convention included three…

  • August 1, 2013

    Ellen Page and Toni Collette Are Feminists, But Susan Sarandon Is Not?

    Originally posted at Ms. This month has been a mixed one for the F word in Hollywood. Just as Ellen Page and Toni Collette showed us what feminists look like, Susan Sarandon baffled many of her women fans by refusing to claim the term. In an interview with The Guardian, Page put it succinctly: How…

  • July 16, 2013

    Dispatches from LALA Land: Adventures in the OC

    Originally posted at HowlRound. When I first moved to Los Angeles, I was wary of attending the theater. LA is an industry town, and if there’s one thing I’m not interested in, it’s staged screenplays. Don’t get me wrong–I love film. I just don’t want to see it on stage. Because technology allows for far…

  • July 14, 2013

    10 Questions for Anti-Choice Legislators

    In honor of the great state of Texas moving one step closer to ending access to abortion by passing a law that will close all but 5 women’s health clinics in the state and unconstitutionally prohibit abortions after 20 weeks, I thought I’d bring back a list of questions (originally posted at Ms.) that so-called…

  • July 13, 2013

    The Miss Julie Dream Project and Time Machine: The Musical: Not Extended, but Still Winners

    The “Best of Fringe Extensions” program has swung into full gear, and, excited for the chance to see some of the shows I missed the first time around, I went to the Hollywood Fringe website looking for a list of shows. I went to the home page, then the blog, then the “about” section. Nothing.…

  • July 10, 2013

    Uncurated, Unmediated: Why Fringe Festivals Are Perfect for Solo Shows

    The Hollywood Fringe Festival, like most Fringes, is all about freedom of expression. Taking after it’s mother-ship The Edinburgh Festival Fringe, The Hollywood Fringe mission states that it “is completely open and uncensored. This free-for-all approach underlines the festival’s mission to be a platform for artists without the barrier of a curative body.” Perhaps that’s…

  • July 3, 2013

    Who Should Play the New Lara Croft?

    In the midst of a dark summer for geek girls (sorry USA Today, one lady per movie does not constitute a good summer for women), a ray of light has finally broken through. MGM has announced it plans to reboot The Tomb Raider film franchise, and they’ve hired a female screenwriter: none other than Marti…

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