Holly L. Derr

  • About MeHolly Derr is a director and professor of theater specializing in the Viewpoints u0026amp; Composition, the performance of gender, and applied theater history. Originally from Dallas, TX, she holds an MFA in Directing from Columbia University and a BA in Theater from The University of North Carolina at Chapel Hill. She was the founding Artistic Director of SKT Inc., a small, New York based not-for-profit theater, and has directed new plays for Big Dance Theater and the PlayPenn New Play Development festival. Holly has served on the faculties of Marlboro College and Smith College, and has taught and directed at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, The Brown University/Trinity Repertory Theater Consortium, and the California Institute of the Arts. Most recently, Holly presented her original script, American Medea, at Ensemble Studio Theater/LA and directed Twelfth Night at the University of Riverside. Favorite past projects include In the Penal Colony, Speak, The Time of Your Life (as a musical adaptation), The Front Page, and new plays by Gregory Moss, Ann Marie Healy, Timothy Braun, and Colin Denby Swanson.
  • TeachingTeaching Philosophy My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
    • Research Statement
    • Teaching PhilosophyTEACHING PHILOSOPHY My journey has been characterized by confronting the unknown. I was born and raised in Dallas, TX, and have always been deeply interested in the culture of the South, especially as represented by my Louisianan grandmother and her small town worldview. After attending the University of North Carolina at Chapel Hill (where one of my favorite classes was The Sociology of the South), I moved to New York City and lived consecutively in Hell’s Kitchen and Dominican Harlem. There I became fascinated by the difference between the politics of multiculturalism and actual life in diverse communities. I moved from there to rural Vermont, where I participated in old- American-style Town Meetings and other New England traditions. Seeking the kinds of adventure I read about in my favorite childhood books (Little House on the Prairie, A Wrinkle in Time), I found real-life adventure by living American culture in its many forms. As a teacher, I try to engage students in this ongoing adventure of discovery. I value the unique contributions of diverse students and help them to start from where they are by bringing their experience to the table, but I also encourage them to embrace the unfamiliar. Whether…
  • Production PhotosClick here to view a slideshow of Twelfth Night, or What You Will Click here to view a slideshow of Ruins Click here to view a slideshow of Golden Girls
    • 12N, Or What You Will
    • Sense & Sensibility
    • What Happened While Hero Was Dead
    • Sunrise Coven
    • The Wolves
    • The Story and the Teller
    • Hamlet: Fall of the Sparrow
    • Red Bike
    • SuperTrue
    • Macbeth
    • Comedy of Errors
    • American Medea
    • Harry and the Thief
    • Romeo and Juliet
    • The Metal Children
    • Rimers of Eldritch
    • As Long as Fear Can Turn to Wrath
    • Twelfth Night, or What You Will[slideshow]
    • Ruins
    • Golden Girlsby Louise Page, photos by Jon Crispin [slideshow]
  • Writing
  • August 14, 2012

    pedagogy of the non-oppressed

    Since I rediscovered and posted one of my favorite bell hooks quotes the other day, I have been thinking about whether her pedagogy or any of those based on Paulo Freire‘s Pedagogy of the Oppressed are actually relevant to teaching today’s American college students. I asked this question once before, when at Marlboro College I…

  • August 10, 2012

    this is what I have to say about that

    Early on, it was Friere’s insistence that education could be the practice of freedom that encouraged me to create strategies for what he called “conscientization” in the classroom. Translating that term to critical awareness and engagement, I entered classrooms with the conviction that it was crucial for me and every other student to be an…

  • June 15, 2012

    Did Someone Say Vagina?

    Cross posted at Ms. When I heard the news from Michigan, the first person I thought of was Eve Ensler. I’ve directed The Vagina Monologues twice and, despite unsettling doubts that the play does not actually work as V-Day events intend it to (to end violence), I loved doing it both times. In theater speak,…

  • June 3, 2012

    A Woman and Her Doctor

    A Woman and Her Doctor a short play by Holly L. Derr Scene One A WOMAN and her DOCTOR. Doctor A: What can I help you with today? Woman: I’m here for procedure 132. Doctor A: Procedure 132. Pause. Doctor A: Procedure 132A or 132B? Pause. The DOCTOR hands her a pamphlet. Woman sighs. Scene…

  • June 1, 2012

    Coming to Sandra, or How I Learned to Stop Worrying and Love Sandra Bernhard

    Cross posted at Ms. I have never really understood Sandra Bernhard. It’s not that I haven’t tried. After admiring her fantastic turn as ballsy sexual harassment lawyer Caroline Poop on Ally McBeal, my absolutely favorite show at the time (1997) about my absolutely favorite “dead feminist,” I told a friend, “I’ve never really gotten the…

  • May 17, 2012

    is this feminist?

    Check out this hilarious tumblr.

  • April 27, 2012

    A Look Inside the Mind of a Suffragist

    Cross-posted at Ms. Picture it: 1917. Susan B. Anthony has been dead for 11 years, Elizabeth Cady Stanton for 15. Carrie Chapman Catt has been agitating with the National American Woman Suffrage Association since 1900. But women in America still do not have the right to vote. Fed up, a group of militant suffragists called the National…

  • April 6, 2012

    Style

    “Style is knowing what kind of play you’re in.” – Sir John Gielgud

  • February 22, 2012

    Company Creation Festival 2012 – The Shows

    Company Creation Festival 2012 from Matthew McCray on Vimeo.

  • February 8, 2012

    Helen Hunt Runs the Show in Our Town

    Cross posted at Ms. The moment she enters, walking quickly, in her masculine work boots and jeans, you know that she is a woman in charge. That’s what a real stage manager is, after all, but in most productions of Thornton Wilder’s Pulitzer-Prize winning classic, Our Town, the Stage Manager is an old white man,…

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